JOURNAL ARTICLES
“Narratives of Discovery: Joshua Oppenheimer’s Films on Indonesia’s 1965 Mass Killings and the Human Rights Discourse.” Social Identities, 25:4, 2019, pp. 512-522.
“Q! Film Festival as Cultural Activism: Strategic Cinephilia and the Expansion of a Queer Counterpublic.” Visual Anthropology, Vol. 31, Issue 1-2, 2018, pp. 74-92.
“Film Studies in Indonesia: An Experiment of a New Generation.” Bijdragen Tot de Taal-, Land- en Volkenkunde 2017: 173, 2-3, p. 357-375.
“Tracing Frictions in The Act of Killing.” Film Quarterly, Vol. 67, No. 2, Winter 2013, 42-47.
“City and Desire in Indonesian Cinema.” Inter-Asia Cultural Studies, vol. 12, Issue 4, 2011, 500-512.
“Passing and Conversion Narratives: Ayat-ayat Cinta and Muslim Performativity in Contemporary Indonesia.” Asian Cinema, Fall/Winter 2010, 69-91.
“Perspektif Gender dalam Kajian Film (Gender Perspectives in Film Studies).” Jurnal Perempuan (Women’s Journal) vol. 61, 2009.
“Contesting Indonesian Nationalism and Masculinity on Cinema,” Asian Cinema 18 no. 2, Fall 2007, 41-61.
“Pasir Berbisik and New Women’s Aesthetics in Indonesian Cinema,” Jump Cut vol. 49, Spring 2007. - The article also appears in Yvonne Michalik, ed., Indonesian Women Filmmakers (Berlin: Regiospectra Verlag, 2013).
“Tracing the White Ink: The Maternal Body in Indonesian Women’s Writing,” RIMA (Review of Indonesian and Malaysian Affairs) vol. 41 no. 2, 2007.
BOOK CHAPTERS AND ENCYCLOPEDIA ENTRIES
“Performing the Multicultural Spaces in Opera Jawa: The Tension Between the National and the Transnational Stages.” Co-written with Ugoran Prasad. Asian Cinema and the Use of Space: Interdisciplinary Perspectives, eds. Lilian Chee and Edna Lim. London: Routledge, 2015.
“Indonesian Women Filmmakers” in Dictionnaire des femmes créatrices. Paris: Editions des femmes, 2013.
“Cinema, Sexuality, and Censorship in Post-Suharto Indonesia.” Southeast Asian Independent Cinema. ed. Tilman Baumgartel. Hong Kong: Hong Kong University Press, 2012, 70-87.
“Cinema: Films Made by Women Screen Writers, Directors, and Producers in Islamic Cultures: Indonesia,” in Suad Joseph, ed., Encyclopedia of Women and Islamic Cultures. Leiden; Boston: Brill, 2010. <http://dx.doi.org/10.1163/1872-5309_ewic_EWICCOM_0645>
“Foreword.” Indonesian Cinema, Framing the New Order by Krishna Sen (translated into Indonesian language as Kuasa Dalam Sinema: Negara, Masyarakat dan Sinema Orde Baru, Yogyakarta: Penerbit Ombak, 2009).
BOOK AND FILM REVIEWS
Ariel Heryanto, Identity and Pleasure: The Politics of Indonesian Screen Culture (Singapore: NUS, 2014). Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, Volume 171, Issue 4, 2015, pp. 574 – 577.
Tales of the Waria (2011) and Children of Srikandi (2012). Pacific Affairs, Vol. 86, No. 4, December 2013, 969-973 (5).
Karen Strassler, Refracted Visions: Popular Photography and National Modernity in Java (Durham and London: Duke University press, 2010). Trans Asia Photography Review, Vol. 2, Issue 2, Spring 2012.